Archive for: February, 2012

EDL to SubCap Converter

I've released a new version of this tool at shift-e.net/tools. Please start to use that, and let me know if you run into any problems. This site will remain online, but all future development will happen on the new site. Thanks!

This tool takes an EDL as input (paste it in), and converts it to Avid DS Subtitle format, which is one of the two formats you can supply to Avid's SubCap effect....

Keeping Mobile Avid Media Updated

On most of the films that I’ve worked on, I’ve needed to keep at least two Avid systems up to date. This could be because an editor wants to be able to cut from home, or the Director wants the ability to cut on set. To handle this I wrote a Terminal (bash) script that searches for any new MXF or OMF media on specified volumes since the last time the script was run. On first-run, the script does nothing but set the date to compare against the next time the script is run, though if you need to change that instructions are below.

Mission: Impossible 4 Formats and Aspect Ratios

Mission: Impossible 4 Formats and Aspect Ratios

In terms of workflow, planning for MI4 was certainly a challenge. If it were just one film format or just one release format there would be nothing special to write here, but from the outset we knew we would be shooting multiple film formats and releasing in three different aspect ratios, and keeping on top of all that takes a little bit of effort. The final film contains imagery shot on six different formats, which means that there are a lot of different native aspect ratios and keycode/timecode systems at work. We also coerced all six formats into the constraints of just two aspect ratios, so in the end the anamorphic RED footage was slightly resized to fit into 2.35, and everything else was cropped to fit into the 8-perf aspect ratio, since that format had the most footage in the IMAX parts of the movie.