Tag Archives: IMAX

Mission: Impossible 4 Formats and Aspect Ratios

Mission: Impossible 4 Formats and Aspect Ratios

In terms of workflow, planning for MI4 was certainly a challenge. If it were just one film format or just one release format there would be nothing special to write here, but from the outset we knew we would be shooting multiple film formats and releasing in three different aspect ratios, and keeping on top of all that takes a little bit of effort. The final film contains imagery shot on six different formats, which means that there are a lot of different native aspect ratios and keycode/timecode systems at work. We also coerced all six formats into the constraints of just two aspect ratios, so in the end the anamorphic RED footage was slightly resized to fit into 2.35, and everything else was cropped to fit into the 8-perf aspect ratio, since that format had the most footage in the IMAX parts of the movie.